Joel Meyerowitz is one of the most highly regarded photographers of the second half of the twentieth century. Alongside William Eggleston and Stephen Shore, he drove the repositioning of colour photography from the margins to the mainstream. The recipient of two Guggenheim fellowships, his work has been exhibited in museums and galleries internationally.

In the summer of 1976, Meyerowitz travelled to Cape Cod, Massachusetts with a vintage 8 x 10 inch Deardoff view camera. He was in search of something entirely new to photograph, trading the bustling streets of New York City for the expansive coastline and slow-paced towns of New England. Photographing over two summers at the Cape, Meyerowitz produced a body of work, Cape Light, that has become one of the most significant photo-series of the late twentieth century.

Photographing over two summers at the Cape, Meyerowitz produced a body of work, Cape Light, that has become one of the most significant photo-series of the late twentieth century.

The series is most importantly a meditation on light and colour. The expansive skies and crystalline colours produced a new kind of photography – slow, contemplative and experiential. Roseville Cottages encapsulates the quiet tranquillity that Meyerowitz sought to invoke. Using the light of the natural landscape, Meyerowitz immerses the viewer within the landscape, transporting us into the image. The sky, which dominates the upper section of the image, as it fades from soft blue into a rose-pink sunset reflects back, warming the pastel-clad houses to the picture’s right. The effect is visceral as Meyerowitz revels in the camera’s unique ability and extraordinary replication of the effects and reflections of light. There is a romanticism to the photograph, as we feel pulled into it and embraced by its light and warmth. The stillness of the image is overpowering. It is an overwhelming sensation that Meyerowitz harnesses to express the beauty of the natural landscape. 

This print is a rare vintage print in perfect condition.